| Rickie Lee Jones | ||||
|---|---|---|---|---|
| Studio album by Rickie Lee Jones | ||||
| Released | March 1979 | |||
| Recorded | 1978 Warner Bros. Recording Studios and The Burbank Studios Tracks 2, 11 recorded live December 22, 1978 at TBS |
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| Genre | Rock | |||
| Length | 42:11 | |||
| Label | Warner Bros. | |||
| Producer | Lenny Waronker and Russ Titelman | |||
| Rickie Lee Jones chronology | ||||
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Rickie Lee Jones is the eponymous debut album of singer-songwriter Rickie Lee Jones. After arriving in California in the mid-70s, Jones started taking songwriting more seriously, and by 1977 had met singer-songwriters Chuck E. Weiss and Tom Waits (Jones consequently became romantically involved with Waits.)
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Jones had begun playing live in the Los Angeles area at the age of 21, and after meeting singer-songwriter Alfred Johnson, the pair began writing and performing live together (most notably at the Ala Carte club.) Two of their collaborations, "Weasel and the White Boys Cool" and "Company," would later be recorded for Jones' debut album. She also sang jazz standards, as well as a song penned by her father ("The Moon is Made of Gold") in her live sets.
Jones' performances around Los Angeles aroused interest from other local songwriters, as well as local record company executives. At a label showcase, Jones performed originals, including "Chuck E.'s in Love", "The Real Thing is Back in Town" and "The Moon is Made of Gold." This showcase performance, plus a demo containing "The Last Chance Texaco", "Easy Money", "Young Blood" and "After Hours" led to a record deal with Warner Bros.. For her major label debut, Jones scrapped "The Real Thing is Back in Town," but used the titular line in one of the album's tracks - "Coolsville."
Recording sessions (which began in September 1978) yielded eleven songs for inclusion on an album. Two of the songs - "On Saturday Afternoons in 1963" and "After Hours" - were recorded live on December 22, 1978.
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| Review scores | |
| Source | Rating |
| Allmusic | [1] |
The album was released in the spring of 1979 to favourable reviews, propelled by the substantial jazz-pop hit single "Chuck E.'s in Love," based on a rumoured romance of her friend Weiss. The single became a US #4 hit during the summer, while the album, which went on to become a million seller, hit US #3. Jones was supported by a memorable slot on Saturday Night Live in April 1979, where she performed "Chuck E.'s in Love" and "Coolsville." A second single, "Young Blood," cracked the US Top 40 in late 1979, when Jones went on an international tour. By June 1981, the album had sold over two million copies in the US alone.
The album cover contributed to the image of Jones as a stylish beret-wearing beatnik; it was reported at the time that Jones was a heavy drinker and also a drug addict, and she and Tom Waits were, in some quarters, known as rock music's bohemian couple. The music videos for the album's two hit singles also contribute to Jones' "hipster chic" image, and she was featured on the August 9, 1979 cover of Rolling Stone magazine, becoming one of the most successful music stars of the year. The album cover photography and design was by Norman Seeff.
Songs written by Rickie Lee Jones, except where noted.
Rickie Lee Jones - vocals, guitar, keyboards, percussion, horn arrangements
Album
| Year | Chart | Position |
|---|---|---|
| 1979 | US | 3 |
| 1979 | UK | 18 |
| 1979 | Australia | 1 |
Singles - Billboard
| Year | Single | Chart | Position |
|---|---|---|---|
| 1979 | "Chuck E's In Love" | Black Singles | 79 |
| 1979 | "Chuck E's In Love" | Pop Singles | 4 |
| 1979 | "Young Blood" | Pop Singles | 40 |
| Preceded by The Bob Seger Collection by Bob Seger |
Australian Kent Music Report number-one album June 11 – July 22, 1979 |
Succeeded by Discovery by Electric Light Orchestra |